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1.Stay with Me / House of Flowers - Barbara Fasano
2.Blackberry Winter - Barbara Fasano
3.A Nightingale Sang in Berkeley Square - Barbara Fasano
'My world was full of sunshine that day as I listened to your marvelous CD. Rick Jensen is a very gifted arranger-player, too.' -- Loonis McGlohon, co-writer of 'Blackberry Winter' ' Fasano may give one of the best readings ever of Alec Wilder's 'Blackberry Winter'. She has a rich voice with a dark underlay which beautifully captures the bittersweet meaning of this lovely song.' -- Back Stage Barbara Fasano has been hailed as a uniquely stunning and soulful singer. Frank Scheck of The New York Post raves, 'Fasano is a gorgeous, soulful singer who has an actor's intensity in whatever she sings.' Whether singing a song by Joni Mitchell or Harold Arlen or Cole Porter, Fasano takes her audience on a spellbinding, emotional musical journey. The MAC, Bistro and New York Nightlife Award winner is a regular performer at New York's most prestigious clubs. Her show with Eric Comstock, "HELLUVA TOWN: A New York Soundtrack", enjoyed an acclaimed and sold-out run at The Oak Room at The Algonquin and has toured the country. The New York Times' Stephen Holden called it "exhilarating", singling out Fasano as a "lyrically sensitive interpreter" and comparing her to one of her idols, Lena Horne. "Mr. Comstock and Ms. Fasano are turning the neighborhood into a hotbed of pleasure." Fasano's exquisite voice reaches deep into the soul of humanity. "She illuminates with torchlight," according to David Finkle of The Huffington Post. "The slim, raven-haired Fasano continually allows feelings to simmer and crackle, singing Cole Porter's 'In the Still of the Night' as well or better than anyone has ever sung it." Rex Reed of The New York Observer notes, 'She gives off palpable electricity", and NEXT's David Hurst declares, "Fasano is nothing short of a revelation, with the poise and jazz chops to go with her beauty to create a formidable singer." Theatermania's Brian Scott Lipton simply states, "Fasano, who sounds better than ever, once again proves herself to be a remarkably expressive singer." Wall Street Journal jazz critic Will Friedwald calls Barbara "a charismatic stylist who effectively channels the spirits of the great uber-divas Lena Horne and Barbra Streisand" in his new book The Biographical Guide to the Great Jazz and Pop Singers (Pantheon, 2010). On her CD, "Written In The Stars", a Harold Arlen collection, she surrounds herself with an A-list jazz ensemble, including John di Martino on piano. The CD has garnered praise in publications as diverse as JazzTimes and Playbill, and receives radio play around the world. The New Republic's David Hajdu raves, "With this record, Barbara Fasano proves that she is not just a great Italian crooner, an heir to Sinatra for our time, but a jazz singer of the first rank." Barbara's previous CD, "The Girls of Summer", is an eclectic mix ranging from Springsteen to Sondheim, and based on her one-woman show of the same title. Both of these CDs were named Record of the Year by the Manhattan Association of Cabarets and Back Stage Bistro awards, and her work as a live performer has twice earned her awards for Female Vocalist of the Year. Barbara grew up in a spirited Italian Catholic household - excellent preparation for a life in show business! From her early childhood, music and stories were a way of life. Her mother made the Sunday lasagna while listening to Italian American singers like Jerry Vale on the radio. Her father listened to Louis Armstrong, Ella Fitzgerald and Bing Crosby and sang along in an effortless baritone, teaching Barbara many of his favorite songs. From the early Streisand albums, she learned the music of her favorite composer, Harold Arlen, and learned to play the guitar, memorizing recordings by Paul Simon, Joni Mitchell and other singer-songwriters. Combine all this with her grandparents' stories of Neapolitan singers and vaudeville and you see how her musical identity was forged. Within her eclectic choices, what remains consistent is her ability to invest a lyric with deep emotional truth, creating virtual one-act plays out of each song. Barbara's many New York headline engagement include concert appearances at Carnegie Hall, Lincoln Center's American Songbook at the Allen Room, Rose Hall, New York Festival of Song, Town Hall and New York's 92nd Street Y's Lyrics and Lyricists series. Starring engagements in cabaret and nightclubs include The Algonquin, Feinstein's, The Carlyle, Birdland, Iridium, Cafe Sabarsky, and the Rrazz Room in San Francisco. Arts centers and music festivals across the country include Caramoor, Arizona Jazz Festival, Jersey Jazz, Kanbar Center, Cooperstown Music Festival, and Kerrytown Concert House. She earned a degree in theatre, has worked as an actress across the country, and is the recipient of Hofstra University's prestigious Estabrook Alumni Achievement Award. Barbara's work as a teacher includes private coaching, workshops and master classes in the art of performance and song interpretation. In the words of jazz critic Ira Gitler, she "has it all, and then some ... artistic, swinging, and superbly entertaining."
1.Stay with Me / House of Flowers - Barbara Fasano
2.Blackberry Winter - Barbara Fasano
3.A Nightingale Sang in Berkeley Square - Barbara Fasano
'My world was full of sunshine that day as I listened to your marvelous CD. Rick Jensen is a very gifted arranger-player, too.' -- Loonis McGlohon, co-writer of 'Blackberry Winter' ' Fasano may give one of the best readings ever of Alec Wilder's 'Blackberry Winter'. She has a rich voice with a dark underlay which beautifully captures the bittersweet meaning of this lovely song.' -- Back Stage Barbara Fasano has been hailed as a uniquely stunning and soulful singer. Frank Scheck of The New York Post raves, 'Fasano is a gorgeous, soulful singer who has an actor's intensity in whatever she sings.' Whether singing a song by Joni Mitchell or Harold Arlen or Cole Porter, Fasano takes her audience on a spellbinding, emotional musical journey. The MAC, Bistro and New York Nightlife Award winner is a regular performer at New York's most prestigious clubs. Her show with Eric Comstock, "HELLUVA TOWN: A New York Soundtrack", enjoyed an acclaimed and sold-out run at The Oak Room at The Algonquin and has toured the country. The New York Times' Stephen Holden called it "exhilarating", singling out Fasano as a "lyrically sensitive interpreter" and comparing her to one of her idols, Lena Horne. "Mr. Comstock and Ms. Fasano are turning the neighborhood into a hotbed of pleasure." Fasano's exquisite voice reaches deep into the soul of humanity. "She illuminates with torchlight," according to David Finkle of The Huffington Post. "The slim, raven-haired Fasano continually allows feelings to simmer and crackle, singing Cole Porter's 'In the Still of the Night' as well or better than anyone has ever sung it." Rex Reed of The New York Observer notes, 'She gives off palpable electricity", and NEXT's David Hurst declares, "Fasano is nothing short of a revelation, with the poise and jazz chops to go with her beauty to create a formidable singer." Theatermania's Brian Scott Lipton simply states, "Fasano, who sounds better than ever, once again proves herself to be a remarkably expressive singer." Wall Street Journal jazz critic Will Friedwald calls Barbara "a charismatic stylist who effectively channels the spirits of the great uber-divas Lena Horne and Barbra Streisand" in his new book The Biographical Guide to the Great Jazz and Pop Singers (Pantheon, 2010). On her CD, "Written In The Stars", a Harold Arlen collection, she surrounds herself with an A-list jazz ensemble, including John di Martino on piano. The CD has garnered praise in publications as diverse as JazzTimes and Playbill, and receives radio play around the world. The New Republic's David Hajdu raves, "With this record, Barbara Fasano proves that she is not just a great Italian crooner, an heir to Sinatra for our time, but a jazz singer of the first rank." Barbara's previous CD, "The Girls of Summer", is an eclectic mix ranging from Springsteen to Sondheim, and based on her one-woman show of the same title. Both of these CDs were named Record of the Year by the Manhattan Association of Cabarets and Back Stage Bistro awards, and her work as a live performer has twice earned her awards for Female Vocalist of the Year. Barbara grew up in a spirited Italian Catholic household - excellent preparation for a life in show business! From her early childhood, music and stories were a way of life. Her mother made the Sunday lasagna while listening to Italian American singers like Jerry Vale on the radio. Her father listened to Louis Armstrong, Ella Fitzgerald and Bing Crosby and sang along in an effortless baritone, teaching Barbara many of his favorite songs. From the early Streisand albums, she learned the music of her favorite composer, Harold Arlen, and learned to play the guitar, memorizing recordings by Paul Simon, Joni Mitchell and other singer-songwriters. Combine all this with her grandparents' stories of Neapolitan singers and vaudeville and you see how her musical identity was forged. Within her eclectic choices, what remains consistent is her ability to invest a lyric with deep emotional truth, creating virtual one-act plays out of each song. Barbara's many New York headline engagement include concert appearances at Carnegie Hall, Lincoln Center's American Songbook at the Allen Room, Rose Hall, New York Festival of Song, Town Hall and New York's 92nd Street Y's Lyrics and Lyricists series. Starring engagements in cabaret and nightclubs include The Algonquin, Feinstein's, The Carlyle, Birdland, Iridium, Cafe Sabarsky, and the Rrazz Room in San Francisco. Arts centers and music festivals across the country include Caramoor, Arizona Jazz Festival, Jersey Jazz, Kanbar Center, Cooperstown Music Festival, and Kerrytown Concert House. She earned a degree in theatre, has worked as an actress across the country, and is the recipient of Hofstra University's prestigious Estabrook Alumni Achievement Award. Barbara's work as a teacher includes private coaching, workshops and master classes in the art of performance and song interpretation. In the words of jazz critic Ira Gitler, she "has it all, and then some ... artistic, swinging, and superbly entertaining."
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